In the present volume the author traces out the history of the cenotaph right from the tribal period up to the Rajput period. He has vividly described the various phases through which the cenotaph has passed before reaching its culmination in Rajput period, which marks vigorously the revival of the custom of erecting sepulchral monuments. The Hindu temple architecture and sculpture together with the mortuary architecture received an impetus under the Rajput rulers of Rajasthan. Thousands of cenotaphs cropped up during this period under the Rajputs who introduced a new chapter to the annals of the art movement of the state of Rajasthan.

The present study is divided in several chapters. The first presents a brief sketch of the political history of Rajasthan followed by the second and third chapters which deals with the concept of raising cenotaphs and its development together with the architectural components of the cenotaph structure. The next one describes the cenotaphs of the states of Rajasthan in detail. The cenotaph raised on these the and the saints have also been included in the description. Some stray cenotaphs which have historical importance have also been discussed. The study is mainly based on historical records and spot observation.

Anybody interested with however little technical knowledge,in our ancient building will understand, enjoy and jealously preserve this book.

Born on 25th November, 1925 at Mandawa, a small town in Jhunjhunu district of Rajasthan. Dr. Ratanlal Mishra M.A. (double) Ph.D. is a prolific writer having more than thirty books to his credit. His favorite subject of study are history and archeology. He is deeply interested in the study of various aspects of Ancient History and has produced some works of note. Besides this, Indian Culture and Civilization have been the theme of his other works. Presently he is engaged in the study of Rajput architecture of the state of Rajasthan.. His recently published book entitled “Military Architecture in Ancient India” has received wide acclaim.